A Legacy (New York Review Books Classics)

A Legacy New York Review Books Classics A Legacy is the tale of two very different families the Merzes and the Feldens The Jewish Merzes are longstanding members of Berlin s haute bourgeoisie who count a friend of Goethe among their distin

  • Title: A Legacy (New York Review Books Classics)
  • Author: Sybille Bedford Brenda Wineapple
  • ISBN: -
  • Page: 399
  • Format: Kindle Edition
  • A Legacy is the tale of two very different families, the Merzes and the Feldens The Jewish Merzes are longstanding members of Berlin s haute bourgeoisie who count a friend of Goethe among their distinguished ancestors Not that this proud legacy means much of anything to them any Secure in their huge town house, they devote themselves to little than enjoying theA Legacy is the tale of two very different families, the Merzes and the Feldens The Jewish Merzes are longstanding members of Berlin s haute bourgeoisie who count a friend of Goethe among their distinguished ancestors Not that this proud legacy means much of anything to them any Secure in their huge town house, they devote themselves to little than enjoying their comforts and ensuring their wealth The Feldens are landed aristocracy, well off but not rich, from Germany s Catholic south After Julius von Felden marries Melanie Merz the fortunes of the two families will be strangely, indeed fatally, entwined Set during the run up to World War I, a time of weirdly mingled complacency and angst, A Legacy is captivating, magnificently funny, and profound, an unforgettable image of a doomed way of life.

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      Posted by:Sybille Bedford Brenda Wineapple
      Published :2020-012-08T07:34:23+00:00

    About " Sybille Bedford Brenda Wineapple "

  • Sybille Bedford Brenda Wineapple

    Sybille Bedford, OBE 16 March 1911 17 February 2006 was a German born English writer Many of her works are partly autobiographical Julia Neuberger proclaimed her the finest woman writer of the 20th century while Bruce Chatwin saw her as one of the most dazzling practitioners of modern English prose.WorksThe Sudden View a Mexican Journey 1953 republished as A Visit to Don Otavio a Traveller s Tale from Mexico, a travelogue A Legacy A Novel 1956 her first novel, a work inspired by the early life of the author s father, which focuses on the brutality and anti Semitism in the cadet schools of the German officer class.The Best We Can Do The Trial of Dr Adams 1958 an account of the murder trial of suspected serial killer John Bodkin AdamsThe Faces of Justice A Traveller s report 1961 a description of the legal systems of England, Germany, Switzerland, and France.A Favourite of the Gods 1963 a novel about an American heiress who marries a Roman PrinceA Compass Error 1968 a sequel to the above, describing the love affairs of the granddaughter of that work s protagonistAldous Huxley A biography 1973 the standard, authorized biography of HuxleyJigsaw An Unsentimental Education 1989 a sort of followup to A Legacy, this novel was inspired by the author s experiences living in Italy and France with her motherAs It Was Pleasures, Landscapes and Justice 1990 a collection of magazine pieces on various trials, including the censorship of Lady Chatterley s Lover, the trial of Jack Ruby, and the Auschwitz trial, as well as pieces on food and travel.Pleasures and Landscapes A Traveller s Tales from Europe a reissue of the above, removing the legal writings, and including two additional travel essays.Quicksands A Memoir 2005 A memoir of the author s life, from her childhood in Berlin to her experiences in postwar Europe.


  • Reseña completa: cronicasdemagrat.wordpressEste es uno de esos libros extraños de los que cuesta hablar por ser tan peculiares, pero a mi me ha conquistado por completo.Gira en torno a dos familias aristocráticas en la Alemania de principios del siglo XX, el argumento es todo menos lineal y sus personajes extravagantes a más no poder. La manera de escribir de la autora fue lo que realmente me atrapó, esos saltos temporales, la descripción minuciosa de las diferentes personalidades, el humo [...]

  • I have decided that I do not read enough female authors and so I intend to make sure that at least one of the books I am reading is written by a woman. Sybille Bedford is not very well known; just over 100 ratings and just over 20 reviews for this, her most famous novel. Yet listen to what has been said about her. Julia Neuberger called her the finest woman writer of the 20th Century (not sure I agree), the novelist and critic Francis King called A Legacy one of the greatest books of the 20th Ce [...]

  • This surprised me. Not that it was good, but that it was so funny. I'm just not used to getting this many yucks out of tales of pre-WWI German haute bourgeoisie and the landed aristocracy. And subtly done, too; done with a mastery of language.For instance . . .The old folks notice some amorous leanings in their son: He ruined his career by meeting a Frenchwoman, who though presentable was not respectable. One of the counts against her was that in an age of rubber tubs she travelled with a silver [...]

  • I’m so far behind on my reviews that this has to be shorter than it deserves. The next day Sarah took him to Voss Strasse [the house of the elderly Merzes; they are both married into the Merz family]. On their way in she stopped. “Oh look at them! So beautiful. Your cats.”He seemed taked aback. He glanced at the yellow creatures on their pedestals. “I’d forgotten about them,” he said.“They give me pleasure every time. I really must see that they’re left to me.”“Oh I shouldn [...]

  • Una crónica un poco atípica de dos familias alemanas de principios del siglo XX (antes de la Primera Guerra Mundial): los nobles católicos del sur y los ricos comerciantes judíos de la ciudad de Berlín. Dos mundos, dos formas de vivir y ver las cosas, unidos por el primer matrimonio de Julius von Felden con la hija de los Merz.Tiene más de comedia que de costumbrismo, pero no calificaría la novela de ninguno de los dos géneros. De hecho, me es muy difícil categorizarlo. Los personajes s [...]

  • Sybille Bedford was a German-born writer who wrote in English. Born in 1911, she died in 2006. Due to somewhat chaotic childhood circumstances, her youth was rather peripatetic. She lived in a number of European countries, eventually settling in London as an adult. A Legacy, one of her half-dozen novels, has autobiographical elements.The story involves two German families, the Merzs who are Jewish and the Feldens who are Catholic. The trajectories of these families are united by a brief marriage [...]

  • My reviews here are summary, not comprehensive, so I won't clarify the story for readers who are on the fence about reading a difficult novel. I think of this book as combining the depth and lushness (and vague loveliness) of Proust with the 19th century novel tradition of Buddenbrooks or similar. Bedford lays out a sophistocated accounting of the Kaiser's Germany in many areas, and if you are looking for a a book like Stones from the River (Ursula Hegi) which seeks to explain the root causes of [...]

  • An extraordinary elliptical novel written in a concise, elegant and slightly distant style. I loved this book from the first paragraph and was surprised to read so many negative reviews on . Don't be dissuaded from reading this beautiful book full of irony and subtle humour if you are a reader who enjoys doing a bit of the work and does not expect to be guided through every character and plot development with the literary equivalent of airport runway lights. The book is to some extent autobiogra [...]

  • The plot - such as it was - had potential: two interrelated upper-class families in Wilhelmine Germany, one Jewish, the other Catholic, a few difficult marriages, and one son's terrible experience at a harsh cadet school which would have repercussions for the entire family. The execution was horrid. Critics intend it as a compliment when they say someone writes dialogue like Ivy Compton-Burnett; it's not. Consider it the kiss of death.

  • تاريخ القراءة الأصلي : ٢٠٠٢حزينة جدا رغم كل كوميديتها

  • A tiresome, difficult novel about the fortunes of a pair of families in fin-de-siecle Germany, one Catholic, one Jewish. Having intermarried and then remained parallel after said marriage died in the wife's death, the story twists and turns through banal goings-on, with a flash-in-the-pan style that would serve well in a different kind of story, but in one like this, driven, ostensibly, by character, never allows anything more than the shallowest view of the characters.Often touted as darkly hin [...]

  • Read many years ago, and I could barely stand to turn the pages, as their truthfulness was too painful, as if it were myself telling my history. But it wasn't my history, and it was scarcely Sybille Bedford's - although she knew Germany well. But the experience of the German Jewish boy in and out of his family, as they tried to fit and fit him into a Germany that did not fit him - crystallized in the military academy the boy is sent to, called to me in a way that made it almost impossible to rea [...]

  • This was an exceptionally difficult book to read, largely because of the author's habit of not clearly introducing characters, relationships or events, but leaving the reader somehow to devine what is going on. The writing is highly stylised, and the dialogue is opaque.The setting, newly united Germany in the late nineteenth and early twentieth centuries, is potentially an interesting one, and students of that period would probably understand a great deal more of the subtext than I did. Clearly [...]

  • Bedford is one of the most underrated great writers of our times and she seems totally unknown here in the US. Her trilogy, composed of the following titles: A Compass Error / A Favorite of the Gods / A Legacy, is a wonderful story based on her own life in Europe betweent the two wars. Those three different novels really make up for one unique book, and need to be read together. The result is a masterpiece, tender and comical, which makes you wish you had met Bedford in her young age. Worthy of [...]

  • Sketchy.Some clever dialogue (reminiscent of an Ivy Compton-Burnett novel) interspersed with undeveloped characters in a family drama set in Wilhelmine Germany. There's some wit about the follies of the bourgeoisie in Pre-World War I Europe. In the better parts, it reminded me of a Germanic "Galsworthy Saga." But there's just too much missing. It's like watching a foreign language film without subtitles. And I gave up caring at all about the characters about half-way through. Moreover, the whole [...]

  • Wow! This book was just so incredibly disappointing. Probably because the abstract promises more than the book is about – clearly a case of misleading marketing. I wanted to read it because I have just recently found out about this writer, who grew up about 50 km from where I am from. So I was interested in the times and that little town that framed her childhood. Oh well, there is very little of it in this novel, though. Perhaps I will have to read another one of her books, either “Jigsaw [...]

  • After reading books by Nancy Mitford and Stella Gibbons I started gaining an appreciation of early to middle 20th century British female authors. All I encountered possessed incisive and ironical styles, often kind of a Jane Austen meets P.G. Wodehouse vibe. I had two more names on my list, Ivy Compton-Burdett and Sybille Bedford. I had read somewhere an opinion that Bedford’s A Legacy was her best fiction. To my surprise the book was set in Germany, further investigation revealed that Bedford [...]

  • I am still reading it, and it has a cumulative effect, with striking portraits of people, and an age. It has "the English disease". By this I mean that, somehow, one is oppressed by a stink of class, not in the actual subject matter but the stance of the writer. The same oppression emanates from English "working class books" (whatever these may be). Maybe it is a problem unique to England? England, after all, does not have intellectuals. German or French intellectuals are elevated above petty no [...]

  • The story was initially interesting to me but my interest flagged over the course of the novel. The author definitely has an eye for detail and an ear for speech patterns but at times I felt I was reading nothing but mimicry. This was an interesting period in German history but we learn little other than the manners of the upper middle class during this period. The point seems to be to show how cut off from the events around them these two families were, and by implication, how oblivious they we [...]

  • As I was becoming comfortably immersed in high-society, pre-WW1 Europe, enjoying the kind of jaunty elegance depicted in the Impressionist paintings one character shrewdly collects, I began to sense an ominous undercurrent: time seemed to be speeding up. The story of the mingling of the Merzes and the Feldens starts with the patriarchs of these two families: both are near the pinnacles of their separate realms (the Jewish haute-bourgeousie and the Catholic aristocracy) but their most important l [...]

  • The action of A Legacy takes place in Prussia around the start of the 20th century, but this is not exactly an historical novel since nothing that happens in it has much to do with the period or the setting. It is a family novel with complex relationships, entertaining in places and distressing in others. The writing is 1920s or 30s experimental, vaguely stream-of-consciousness. It often leaves you wondering who said what and it's never very clear who the narrator is. That could have been intent [...]

  • "It is like overhearing a conversation all the more fascinating because only some of it makes complete sense. The novel has some of the atmosphere of paintings by Otto Dix or Christian Schad or Max Beckman, in which the characters depicted seem all angular and strange, with a faint or intense disturbance in their aura. The reader can never guess how a sentence will end, or what is coming in the next phase. Nothing obvious ever happens. Each image has been freshly chiseled, or rendered with a spa [...]

  • I found it intereting but I don't think I 'got' it in the sense that I don't really understand what the author was trying to illustrate beyond making some sense out of her own experiences (the novel is heavily biographical) and depicting life as it was for some very specific people around the turn of the last century. Which is not a bad thing for a novel to do, but I just can't quite figure out how to think about it. Also, I usually enjoy obliqueness, but some of the exchanges between Sarah and [...]

  • A very strong mid-20th century novel prose style combined with the unique and dying class divisions theme and a nicely placed narrator (who is the child of a couple of the characters, but for a while keeping it a mystery to the reader what exactly this child's status was). Nancy Mitford said it was good, and I'm inclined to agree with her.

  • Wonderful biography memoir of a very eccentric father and life in the Kaiser's Germany. A luscious portrait of life with wealthy grandparents in Berlin. Did you know there was such a thing as early breakfast and late breakfast. Be sure to read this before you read the memoir of mother in Jigsaw. The final installment is Quicksands where adjustment to memories are made.

  • Sybille Bedford's first novel, very autobiographical with a stunning sense of place and of a time in Germany history now long gone. Bedford's prose as always is glorious. Read the full review here. heavenali.wordpress/2014/0

  • This read more like an outline of a novel than like a fully developed novel, but, still, I did find myself absorbed in the scenes and the world of pre World War I Germany Bedford describes here.

  • I read this some years back and thought it was good but it did not stay with me, much; I think I was just a little too young in some ways. But this time, oh, what a book -- it is so grounded in lives and in time and place, and so beautifully written, crafted on the level of the sentences and yet it reads very quickly, the sentences flow by, all of her work is there but it is not decorative, not one of those books where one stops to admire the lyric beauty. And also, it is very, very funny, which [...]

  • In the early 1950's, Sybille Bedford had written a travel book that was printed and several novels, which she describes as "unsatisfactory," that were never published. Inspired by this disappointment, she persevered & wrote several successful books, including "A Legacy." Drawing upon her own family's experiences in Germany during the late nineteenth and early twentieth centuries, it results in a rich mix of the author's three family branches, a tangle of marriages and offspring, the politica [...]

  • First published in 1956, Sybille Bedford’s semi-autobiographical novel, A Legacy, tells the story of two very different families connected by marriage. As long-standing members of Berlin’s haute bourgeoisie, the Jewish Merzes are very wealthy and very traditional. By contrast, the aristocratic von Feldens hail from Baden, part of Germany’s Catholic south; they are comfortably off but not rich.Set against a backdrop of a newly-unified Germany, the book moves backwards and forward in time al [...]

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