You Don't Love Me Yet

You Don t Love Me Yet The author of The Fortress of Solitude turns a keen affectionate eye on the paradoxes of love and art in this romantic farce set among the members of an aspiring rock band in Los Angeles

  • Title: You Don't Love Me Yet
  • Author: Jonathan Lethem
  • ISBN: 9780385512183
  • Page: 334
  • Format: Hardcover
  • The author of The Fortress of Solitude turns a keen, affectionate eye on the paradoxes of love and art in this romantic farce set among the members of an aspiring rock band in Los Angeles.

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      Published :2020-09-17T03:23:05+00:00

    About " Jonathan Lethem "

  • Jonathan Lethem

    Jonathan Allen Lethem born February 19, 1964 is an American novelist, essayist and short story writer.His first novel, Gun, with Occasional Music, a genre work that mixed elements of science fiction and detective fiction, was published in 1994 It was followed by three science fiction novels In 1999, Lethem published Motherless Brooklyn, a National Book Critics Circle Award winning novel that achieved mainstream success In 2003, he published The Fortress of Solitude, which became a New York Times Best Seller In 2005, he received a MacArthur Fellowship

  • 543 Comments

  • Audio book experiment II failed.I am pretty sure this book would have blown even if I had read it on the page. I listened to it while driving back and forth to Santa Clara from my home office for a project I was working on. I was sick of my iPod so I thought I'd try audio books. (I have since learned from friend recommendations and personal experience that it is not the best idea to listen to fiction while driving.)Anyway, as far as I could surmise, this book is about a young band trying to brea [...]


  • (Reprinted from the Chicago Center for Literature and Photography [cclapcenter].)Longtime followers of my creative projects know that in general I don't like publishing bad reviews; that for the most part I see it as a waste of both my time and yours, in that I could be spending that time instead pointing out great artists you may have never heard of. However, since one of the things this website is dedicated to is honest artistic criticism, I also feel it's important to acknowledge books that I [...]


  • After days of marinating in the text of Women and Men, reading this short Lethem book (which is basically a L.A. based romcom) felt like hitting golf balls on the moon. I had forgotten what it was like to turn pages often enough to numb my index finger. Sweet, sweet dialogue and pages with less than 600 words.I keed, I keed because I really like Lethem. Whatever the subject matter he can make his characters real, relatable and even fun(ny). Conversations aren't forced, discussions end properly a [...]


  • no, i most certainly do not, and if you keep writing like this, i never will. reads like an overreaching first attempt at fiction. the only thing worse than whiny hipsters is an entire novel about them. the only thing worse than that, is a poorly written one.


  • I loved Motherless Brooklyn and Lethem's book of essays, The Disappointment Artist. You Don't Love Me, Yet, however, has almost ruined my faith in contemporary fiction. Because I don't want to spend more time writing about this book than I have to, I will list some of the things about it that annoyed me:1) The Characters' Names:BedwinFalmouth StrandVogelsongFANCHER AUTUMNBREAST (I actually had to stop reading for a few days after that one)2) The contrived sex that made me never want to have sex [...]


  • Oh my god. I’m actually shocked that a book by a respected author like Lethem could be this bad. Because it is so bad. It’s full of whiny, painfully hipstery characters with names like Fancher Autumnbreast tooling around a fake L.A. that makes no geographical sense (even less than the real L.A I mean) and having lots of deeply unpleasant-sounding sex that made me lock my legs at the knee as I read. Fine. That’s just bad. But what launches this book into the stratosphere of shockingly, appa [...]


  • Man, I heard this was not great, but I didn't really expect it to suck THAT much. I figured I'd give him the benefit of the doubt since he's written some things I loved, especially the . Oh well. At least it was short.Overwrought prose, boring and/or unlikeable characters, not to mention the ever-dangerous task of writing about music and not sounding like a total douche.Upon reading some of the other reviews I felt I should add that I don't have any problem reading about hipsters or sympathizing [...]


  • Video-review: youtube/watch?v=IYcGXFeatured in my Top 20 Books I Read in 2016: youtube/watch?v=4X6OQIf this book were a record, it would be a 40-minute New Wave album from the late seventies. A good one, not an excellent one (not Fear of Music, not Drums & Wires). Upbeat, imaginative, hilarious, odd in a way that makes it hard to read behind its cool. Always fun to listen, hardly anyone's favorite record.It's not especially ambitious and it will hardly change your life, but then again, it ta [...]


  • I would hate if my boss always compared my successes to my failures. Luckily my boss doesn't. If he did, I would quit. What he usually says when I make a mistake is 'Ryan, you screwed up, don't do it again'. Unfortunately most of Jonathan Lethem's readers don't give him that much respect. As an author of tremendous talent, he constantly gets compared to his greatest works. A comparison that is a waste to both the author and to any critical reader.That said, at its best YOU DON'T LOVE ME YET is l [...]


  • I actually dont see what Lethem could have done to make people happy with this book. All the reviews here pretty much slate it but I think it was written as a conscious detachment from Motherless Brooklyn/Fortress of Solitude and offers a nice relief. A bit more of a disposable pop riff than a layered, carefully constructed piece of art like his other two most famous books. Yes the characters are hateable, and yes the plot meanders a bit but if anyone out there has actually moved in band circles [...]


  • I saw this book and immediately knew I'd hate it as something from the pretentious "Rent" vein. But it was on my required reading list, and school begins soon, so I picked it up and read it all in a sitting, and am now ready to digest it.If I read it all in one sitting, it couldn't have been that bad—right? Wrong. I just wanted to get it over with. The basic premise is this: a struggling band of slightly (but no more than that) misfit characters gets their big break via an inspirational (somew [...]


  • I adore Jonathan Lethem. Ever since Gun, with Occasional Music, he's remained one of my favorite authors. His science fiction was fascinating and stylish and, though I was tepid about it, his shift to traditional fiction kept much of the flair and panache of previous work. To me, Lethem is what happens when you take Chuck Palahniuk and add literary talent.You Don't Love Me Yet is a clever book. Though the book's main character is the bassist for a band, the true star of the novel is the Complain [...]


  • Pretentious and ultimately extremely annoying. The names of the characters alone was enough to make me dislike this book. But ultimately I didn't like this book because other than Bedwin, who was a fairly minor character (see, what did I tell you about the names) there was not one believable character in this book. It's not just that most of the characters were unlikable - that is neither here nor there, it was just they were such empty stereotypes of music and art hipsters. Maybe this book was [...]



  • From the page: "You Don't Love Me Yet (2007) is a comic novel about alternative music from Jonathan Lethem, set in modern Los Angeles"& now for my review: this book is a comic novel about alternative music in LA and that sucks. The music parts were so cringey bad to the point where one guy opens the door to his loft wearing a big star t-shirt and there is "drama" at a KEXP Seattle type interview and it is so uncomfortable. There are some endearing and charming qualities about this book and [...]


  • I mean, technically well-written, because I like Lethem's writing, but I think I prefer him at his weirdest/most speculative. This was like, just, why? Left it in the back of the airplane seat.


  • Jonathan Lethem always wrote books in much the same way that Yo La Tengo make music; a reference here, an influence there, an irresistably charming fusion of twee pop, disco, free jazz and aggressive punk. Or in Lethem's case, some pop cultural journalism, some Austerian New York/Brooklyn, some satire, some Woody Allen sex and characters just overdone enough to be both funny and believable. All of it ever so slightly transparent so that you can see the layers underneath where he tries to work ou [...]


  • I'd give this two and a half stars if would let me.I chose this in a far more hurried manner than usual. I was in the airport, knew I was likely to finish my book in flight, and knew I'd need something to get me through the rest of the trip. I dashed into the mini-Powell's at the airport, ran my eyes over the Literary Fiction/Classics section, saw Lethem's name, though, "Hey, I've heard good things and been meaning to check him out," and arbitrarily picked this from among the titles offered.Tur [...]


  • Allright, allright, Okay.What is truly ironic is that the panting, hysterically negative reviews of this book almost half prove its premise. I guess the subjects of this book's gentle and loopy satire are truly as thin skinned as they seem. Because that is what this book is, a satire. It is no more a realistic portrayal of Los Angeles than LA Story the movie. That is, I think, its ultimate charm.I'm not calling it a masterpiece by any means, because it isn't. But it has a genuinely understated h [...]


  • A disappointing outing from the normally transcendent Jonathan Lethem, clever (oh is it clever!) but never actually engaging. It's about a bunch of twenty-something kids in a band that blow that one chance to make it big, probably because they're all too damn clever for their own goods. It's not that this is a bad idea, or that Lethem doesn't demonstrate the necessary affection for his characters to make them lovable. It's that the whole book smacks of trying too hard. The characters are all "in [...]


  • Easily Lethem's worst book to date. Sure, it's still enjoyable, but would I say it's worth your time? Nope. It starts off so promising, inside of a rock band, with its break ups and makeups, its poor decisions and failure to start. They still haven't played their first show, though they are nearing thirty, they still don't have a name and work crappy part time jobs. Then there is a mysterious caller and a kangaroo and the book gets wild. I was prepared to love this, but it didn't work.Why doesn' [...]


  • This is the book that made me fall in love with Jonathan Lethem, I had read some of his writing before this, but this was what really sent me on the quest to devour everything he has ever written. Having now read all of Lethem's novels, most of his short stories, and a good amount of his non-fiction, this is still one of my favorites.This book effected me physically, it gave me this tingly feeling as I read it. This is by far Lethem's sexiest novel, I've never wanted to fuck an author so badly a [...]


  • I really enjoy Jonathan Lethem’s work, and I believe that this novel is meant to be satire on love and fledgling rock bands. He has a way with describing things that paint a clear picture, and I do appreciate that he takes an unflinching approach to relationships of all kinds. Still, this didn’t make me like the characters any more. While I certainly know people like those in this book, providing some amusement, those people tend to annoy me. The clothes, the self-inflicted haircuts, grand c [...]


  • This book has such beautiful prose. I LOVED Jonathan's writing style. He used enough non-standard descriptions to keep me interested in the writing just for the feel of it.The story was a bit unusual. I'm not sure I quite loved that. It's a standard story about a 29 year old woman in a bit of a personal crisis, looking for love, generally in the wrong places. I have to admit that I could spot this was written by a man. I'm not sure why he didn't make the main character male so that wouldn't have [...]


  • I read about 30 pages of the novel and I liked it, so I was surprised by all the negative reaction. Having finished the book, I now understand. I thought it was going to be a bleak, black satire of Los Angeles and art school rock bands (Waugh in Echo Park), but it evolves into an effort to make these characters likeable and explicable. Much time is wasted on the inner workings of the band--choosing the band's name, the order of songs to play at a gig (Flight of the Conchords makes this stuff wor [...]


  • Han pasado tres años al menos desde que leí esta novela. Tres años y, todavía, me acuerdo de ella espontáneamente de tanto en tanto. Eso no es poca cosa, creo, porque son pocos los libros que evoco sin tener que concentrarme, y aún menos los que recomiendo constantemente. "¿Que quieres leer una novela de rock? ¡Prueba esta!", digo por aquí. "¿Una historia donde haya atmósferas nostálgicas y animales fuera de lugar? ¡Esta, esta!", digo por allá.No voy a contar la trama, no tiene cas [...]


  • Although several fellow Goodreaders gave this "novel" low marks, I thought I'd give it a go, as the basic storyline sounded amusing. What a disappointment, especially after Motherless Brooklyn. The characters are annoying, self-absorbed, and one-dimensional. The story is equally uninspiring--Ennui in a half-hearted, Tragically Hip band. In the book, the band struggles to find a name, which aptly fits the aimlessness of the book and its protagonist. An appropriate name would have been "Void".


  • Irritating cover. Unlikable main character. Too hip for it's own good (and I really don't mind hip). The inner cover pic of the author made me wonder if he modeled the complainer after himself and if so, that's even more irritating. To be nice, I did like the band members. The whole kangaroo thing just went nowhere though--like Lethem actually forgot about that subplot until the end. Sorry, didn't feel this one.


  • Seriously flawed in so many ways that I can't be bothered to explain. If I was looking for one book to demonstrate the danger or even futility of trying to create a fictional account of a hip, art rock band, this would fit the bill. This realization comes as a pretty big letdown given that JL's Fortress of Solitude handled it's musical subject matter(s) in believable, sometimes endearingly nerdy ways (the fake liner notes, etc.).


  • A really interesting concept made bland by an author who writes on an amateurish level. This book needed serious help! The plot was made unbelievable by the girl suddenly having sex with a fat man old enough to be her father. Abominable book. Avoid this book and this pretentious author at all costs.


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